ALTER Horror Short Film - "La Noria"
"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.

Every few days in New York City, a subway operator stops a train, speaks the phrase "12-9" into a radio, and waits what may feel like an eternity for a police officer to arrive and inspect the train and tracks. In the parlance of the Metropolitan Transportation Authority, 12-9s describe collisions between trains and people. In 2019, the M.T.A. recorded a hundred and ninety-five 12-9s, the highest number in at least a decade. About a third are fatal. "After the 12-9" follows three subway operators through their recovery process after their involvement in deadly collisions, as they battle PTSD, nightmares, and guilt. Although all three of them are left with different feelings towards their jobs, they are united by their collective experience of a very specific type of grief: the emotional weight of a death that one had no power to stop.
"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
This action thriller is made with the hope that the black youth of America will feel empowered, and realize the significance of their heritage.