How did the face of 12-year-old Lola become in one week a symbol taken over by the far right on social networks, crossing Europe, from identity demonstrations in France to stadium stands in Serbia? Six months after the murder of the teenager, “La Fabrique du Lie” reveals how in just a few days an operation of influence and manipulation was orchestrated. For the first time, those close to the victim recount how they experienced this political recovery, as a suffering added to the mourning.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
In Deaf, the Spanish director Eva Libertad explores pregnancy and motherhood from the perspective of a deaf woman. Her movie examines how the world imposes the notion of disability on her main character while she actually does not feel disabled herself.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
