It all begins with the discreet romance between the Creole maid Lea Mariotte and her young boss, George Brissac, an amoral bourgeois who plans to inherit his uncle's fortune and marry a young woman from a good family. After an incident where she kills a man, she is saved from the gallows by Fabian, a ship's captain, who has personal reasons for antagonizing the Brissacs. He takes care of her and falls in love with her, but doesn't tell her. She, in turn, takes the opportunity to return to her lover Brissac's arms, forcing him to marry her after seeing him murder his uncle.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
Another story focuses on the bond between a young man and a shelter dog in this Netflix drama film.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
Disney’s first Christmas advert, ‘From Our Family to Yours’ teaches us the magic of the holidays.
‘Babylon’ is an exhilarating journey one has to brace themselves for
