Exit 8: The Endless Loop in the Modern Society
A man found himself stuck inside the passage to the subway exit on the way to work.

The impoverished Count Lerchenau works under the name Rudi Lindt as a chauffeur. Because he is so well-loved by women, he lost his last position. His former servant Franz has not abandoned him in his time of need and the servant keeps trying to find a rich bride for the former Count. In the Grand Hotel, where the Count is supposed to be finding a suitable mate, he instead flirts with the attractive Alice. In order to get a job with the employer Ottokar Frühwirt, Rudi uses Count Lerchenau as a reference. But then the employer wants to speak with Lerchenau and Franz has to play the role of the Count. Alice, it turns out, is the employer's niece. When she finds out that Rudi is only a chauffeur, she wants nothing to do with him.
A man found himself stuck inside the passage to the subway exit on the way to work.
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics
At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.