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Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
Kill Bill: Volume 1 is a highly entertaining flick, designed to tap into our levels of adrenaline. Tarantino has crafted a cinematic winner, overflowing with nostalgic richness and a love for cinema.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
'Easy A' is emblematic of a world that liked to sarcastically pretend it was progressive but wasn’t actually ready for that change, making it pretty anti-sex.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
