I've Got A 'Crush' On You...And I'm Not Too Old To Say It
Hulu's 'Crush' leaves you giddy, light, hopeful, and, yes, all crushed out on the possibility of what? You got it, your next crush.

After completing her first WORLD TOUR “Wish” last year, and drawing 140,000 people over two days with her SPECIAL LIVE 2024 “Shinzou” — becoming the first female solo artist ever to perform at Tokyo’s National Stadium — Ado embarked on her JAPAN TOUR 2024 “The Profile of Mona Lisa.” Among the many shows on this nationwide tour, she performed two consecutive nights at K-Arena Yokohama, and this Blu-ray & DVD captures the first night (October 12, 2024). During the encore, she performed on guitar for the very first time, presenting “Shoka,” a song she wrote and composed herself — making the tour full of first-ever challenges and special moments.
Hulu's 'Crush' leaves you giddy, light, hopeful, and, yes, all crushed out on the possibility of what? You got it, your next crush.
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.