Is 'Queen Christina' a Queer Film?
Greta Garbo, a queer actress playing a real-life queer Queen is the best of both worlds.

Family man Max Bornstein was a full-time dope fiend working within the underground, highly illegal pornography industry in 1968’s New York City. While running books and films to delivery points and mob headquarters around the east coast, Max had the Feds on his tail. But even in the wake of a federal investigation, his truest worry was his wife and two young children, a family kept in the dark about his dealings and the walls of it caving in around him. As he battles his consuming addiction, dissolving family unit and the growing suspicion about his drug use amongst his associates, Max watches helplessly as his well-crafted reality falls to pieces, leaving him searching for the spaces in between.
Greta Garbo, a queer actress playing a real-life queer Queen is the best of both worlds.
Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Written and directed by Rian Johnson (Looper, Star Wars Episode VIII: The Last Jedi), Knives Out was one of the most clever and intricately crafted films of 2019.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.