Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

Reema, the eldest daughter of the absconding Ayan, is driven out of her home along with her siblings. She becomes a governess while Amit, her brother, gets separated from them.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
This action thriller is made with the hope that the black youth of America will feel empowered, and realize the significance of their heritage.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.