Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Actually Quite a Lot poster

Actually Quite a Lot 

Jay van Niekerk is a young, attractive and career driven comic book illustrator. Although he is advancing in almost every aspect of his personal and professional life, his one true desire seems to be the one furthest from reach. This has brought him to a crossroad in his life. Does he give up and keep fully focused on his career or does he finally open his heart to fulfill his deep longing for love and set out to meet the woman of his dreams? He wants someone funny, someone bright, who will appreciate his love of comics and embrace his eccentric lifestyle.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Jay van Niekerk is a young, attractive and career driven comic book illustrator. Although he is advancing in almost every aspect of his personal and professional life, his one true desire seems to be the one furthest from reach. This has brought him to a crossroad in his life. Does he give up and keep fully focused on his career or does he finally open his heart to fulfill his deep longing for love and set out to meet the woman of his dreams? He wants someone funny, someone bright, who will appreciate his love of comics and embrace his eccentric lifestyle.

Rating:
Genre:Drama, Romance
Directed By:Jacques Brand
Written By:Jarrod de Jong, Pieter Oosthuizen
In Theaters:
Box Office:

Runtime:98 minutes
Studio:

Articles You May Like


'The Half of it' Handles its Presented Social Issues Thoughtfully

The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.

Andrea Amoroso