Two-part story--the first is about a washed-up Broadway actor and his tough daughter, who is a bigger star than he is; the second is about a literary agent whose newest client--a nine-year-old boy--is the author of a borderline pornographic book.
Ben Hecht
Director
Edward G. Robinson
Maurice Tillayou (segment Actor's Blood)
Eddie Albert
Orlando Higgens (segment Woman of Sin)
Marsha Hunt
Marcia Tillayou (segment Actor's Blood)
Alan Reed
Jerome "JB" Cobb (segment Woman of Sin)
Dan O'Herlihy
Alfred O'Shea / Narrator (segment Actor's Blood)
Tracey Roberts
Miss Flanagan (segment Woman of Sin)
Jenny Hecht
Millicent Egelhofer / Daisy Marcher (segment Woman of Sin)
Alan Reed
J.B Cobb
John Crawford
Movie Hero
Peter Brocco
Mr. Herbert
Paul Guilfoyle
Mr. Blue
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.