"Waves" Goes the Wrong Direction in Racial Depiction, Despite Its Intent and Beauty
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The film follows a young boy who is haunted by visions of the escalating crisis of climate change, feeling both the weight of the planet's plight and his own helplessness. He idolises the teachings of Don Bosco, whose legacy shows how one person's actions can catalyse meaningful change. Inspired, the boy begins to realise that waiting for "someone else" to fix things is a form of surrender - true power lies in personal initiative. Through symbolic imagery, he moves from paralysis to momentum: planting a sapling, clearing litter, rallying peers. The film underscores the message that even small acts-taken consciously and collectively-can scale into greater impact. In the end, the boy's transformation becomes a microcosm of global hope: change doesn't require perfection or grand gestures, just the courage to act to achieve.
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A legacy based on the comic strip for old and new fans of Peanuts.
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.
This anti-love young adult movie includes mature topics and dialogue.
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The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.