
Erwin blows his first acting job and finds himself stranded in Texas, where he's taken under the wing of a nearly bankrupt oil driller Merle and his cohort Faye. The three set off on a wild adventure to outwit the bank and a corrupt oil company to hit pay dirt before Merle's dreams are foreclosed.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
'Bodies Bodies Bodies', the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it's a perfect addition to modern slasher classics.