In March 1998 director and producer Ulrich Schamoni – who was dying of leukaemia at the time – documented life in his house in Berlin’s Grunewald district. Schamoni kept on filming until just a few days before his death. The result was a moving and colourful chronicle amounting to a total of 170 hours of tape. Interspersing a selection of these images with excerpts from Schamoni’s films such as "Es" and "Chapeau Claque", Schamoni’s photographer daughter Ulrike Schamoni and editor Grete Jentzen have created a loving tribute to a generous and multifaceted man.
Based off the book of the same name, ‘The Miseducation of Cameron Post’ (2018) follows teenager Cameron Post (Chloë Grace Moretz) after she is caught being intimate with another girl and then sent away to a gay conversion camp.
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
A boy named Max experiences adventure within his own house while staying home alone.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
