'Zom 100' Critiques Predatory Capitalism
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.

Unlike the case of humans, there is no law dictating to birds where to fly, when they choose to migrate: their freedom is not restricted by artificial (and very often temporary) borders or invented hierarchies. Through the use of miniature cameras mounted on trained eagles (a vantage point by definition), this aery documentary soars over areas of transit and surveillance, intertwining the birds’ migratory routes with the refugees’ desperate journey into the unknown. A vis-à-vis juxtaposition of human rule vs. nature’s law, which –in all its cruel simplicity– offers a sense of equality that cuts across dividing lines.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
The July episode of Incluvie Movie Highlights provides 4 exciting films that have polarizing reviews! Special guest and Incluvie movie critic Daleyna joins in to discuss Mr Malcolm's List, a regency-era film set in England, starring leads of Indian and African heritage (Freida Pinto and Sope Dirisu), which is a first! Don't Make Me Go, starring an Asian and Blasian lead (John Cho and Mia Isaac), is a sincere film with a controversial ending! Don't worry, no spoilers. 1Up, about a team of female gamers led by Paris Berelc, who's half Asian, receives acclaim on Incluvie, but much hate everywhere else on the internet. And the feature film... is Nope ! One cohost thinks the film was imaginative, while the other cohost insists it was boring (but with good social commentary)! Who thought what? Tune in with your hosts: Cathy Yee and Hazel Bolivar!
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
Given that Charlie Cox is having a moment with the rise in interest in 'Daredevil,' let's return to one of his earlier movies: the fantasy romance 'Stardust' where he shines amidst a slew of characters, from a stereotypical witch to a crossdressing pirate.