Sofia Coppola’s ‘On the Rocks’
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

In the late Victorian era, Abe, a burdened Irish aspiring writer, assistant to Henry, a world-famous stage actor, finds the inspiration to create his sinister novel about a bloody character through the adventures he has while traveling the world with his boss' theatrical troupe.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.
Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time - for a group that's given less screentime than aliens.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.