10 Black Supporting Characters Who Need a Spinoff
A world of expansion awaits.

In an attempt to rebuild his marriage after the death of his son, Matt Hollis decides to take his wife and six year old daughter Lara on a trip of a lifetime to LA, to escape the constant reminders of their loss. Shortly after their arrival Matt's world is turned upside down when his wife is attacked in their holiday home, leaving her in a coma and their daughter LARA kidnapped by a child trafficking ring. Hunted by the police who mistakenly believe Matt has absconded with his daughter, he must evade capture and pursue the criminals responsible for Lara's abduction. Realizing he only has a 72-hour window of opportunity if he ever wants to see his daughter alive again, he enlists the help of Syan an old forces buddy, Matt tears a path of bloody vengeance through the streets of LA on a collision course with Lara's captors.
A world of expansion awaits.
"King Richard" paints a nuanced portrait of a Black father trying to ensure his daughters’ success in a racist, misogynistic world. Yet, Richard and his kids overcome that fear and adversity to succeed.
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.