Dissecting the Casual Racism of “Airplane!”
Airplane! (1980) is a fun spoof comedy with lots of laughs, right? I watched this film for the first time the other night. I loved it. Then came the racist jokes.
Aaron Kleiber: Grown @%$ Dad (2020)
Aaron Kleiber delivers jabs of romanticized parental myths with uppercuts of straight-up dad knowledge. From sun visors and dad nuggs to his no-holds barred take on annoying children's television and Santa, Aaron's truths resonate with parents and non-parents alike. He might not know all the answers, but what he does understand is delivered through his special brand of comedic storytelling.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Aaron Kleiber delivers jabs of romanticized parental myths with uppercuts of straight-up dad knowledge. From sun visors and dad nuggs to his no-holds barred take on annoying children's television and Santa, Aaron's truths resonate with parents and non-parents alike. He might not know all the answers, but what he does understand is delivered through his special brand of comedic storytelling.
Rating:R
Genre:Comedy
Written By:Aaron Kleiber
In Theaters:4/11/2020
Box Office:
Runtime:60 minutes
Studio:Animal Inc.
Cast
Articles You May Like
You are my Tomorrow: “Vai”
The 2019 film, Vai, takes us through eight stories across the islands of Oceania. The settings are unbelievably beautiful, the cast is beautiful, the languages are beautiful, and the stories are beautiful…but heartbreaking.
Silliness and the Undead - Zombieland: Double Tap
'Zombieland: Double Tap' was entertaining and fun at times, but not very evolved. It had poorly developed female characters and stereotypical characters of color.
Honey Don't: Sizzles, Before Fizzling
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
"A Man Returned" - The Other Side of the Refugee Crisis
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.