AARM-166 "There Is" That I Felt During The Massage [extra] Is The Rumored "back Service" True On The "massage Site" Where Esthetic Lovers Gather? I Actually Went Looking For It. 

An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.

Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.

I compiled a list of women’s basketball movies and documentaries so that every type of fan can find their new favorite watch. 

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch