What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

A landlord offers an unemployed young man a position that requires him to evict people living in his building who do not pay rent on time.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Horse racing is a very difficult sport and challenge, especially for a young woman like Michelle Payne.
Christopher Nolan transforms Homer's ancient epic into one of the most breathtaking cinematic spectacles of his career. While its nonlinear storytelling and exposition occasionally hold it back, The Odyssey is a visually stunning, emotionally resonant blockbuster that demands to be seen on the biggest screen possible.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.