Everything The Critics Got Wrong About ‘Pinocchio’
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.

On the night that Parka pried the championship from Abismo Negro's hands, the master of darkness' long lasting resentments resurge, thus threatening AAA's stability. With the help of Chesman, Charly Manson, and Cybernético, Abismo plots his revenge. Not even Octagón, AAA's spiritual leader, can stop the evil turn of events. When Kenzo Suzuki and Yonatan, Parka's younger brother, are kidnapped, it's quite clear the war has begun. Parka, helped by Gronda, Mascarita, Faby Apache, and Octagón, will fight to their very last breath to overcome the obstacles. The sudden appearance of a long lost evil, Triple A's ancestral enemy, rises the odds even more. An abandoned insane asylum, murderous cyborgs, gigantic dragonflies, ancient armies, and time travel are just the beginning of the adventure. The most spectacular lucha libre match ever is about to begin...
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
In Deaf, the Spanish director Eva Libertad explores pregnancy and motherhood from the perspective of a deaf woman. Her movie examines how the world imposes the notion of disability on her main character while she actually does not feel disabled herself.