What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

A girl approaches a divine entity that comes to the world in the form of a yellow umbrella, and ends up discovering her true self.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
‘Run Sweetheart Run’ has everything women fear the most, from psycho boyfriends to tampons.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Dora is the superhero we didn't know we needed.