'How Power Looks' — MiamisFF Review
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.

Thirty-year-old Émilie, as spontaneous as she is clumsy, screws up all her job interviews one after the other. Under pressure, harassed by the owner of her rental apartment, she puts a lot of hope in a new interview which she has managed to secure for this afternoon. But in a near future, where social demands are no longer exactly the same, nothing happens as planned.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
For those that are unaware, the trailer for the new Civil Rights movie Till has been out and it's absolutely amazing for all to see.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.