Two stories woven together, one profoundly affecting the other. A Native Canadian grandfather drives north accompanied by his grandson, a youth-at-risk, who comes to learn about the dark secrets of his family and community: in an isolated village an estranged mother and daughter must reunite to exorcise the voracious Windigo spirit tied to a painful past. Taking its inspiration from Ojibway spirituality and from the history of the residential school system, where generations of children were forcibly taken from their families and aggressively assimilated into Euro-Canadian society.
Desi’s “straight man” to Lucy’s playful exuberance subverted people’s expectations of what a Latino man could be and added respect and nuance to the way onscreen marriages between men and women were portrayed.
"65" (2023) is the latest Dino flick to try and answer "what else can we do with dinosaurs?"
When the world lost Chadwick Boseman on August 28, 2020, we all saw the impact of representation in film. Boseman was not only a Black superhero leading a Black cast in one of the most successful films in history; but his successes paved the way for more, long-overdue diversity in Hollywood.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Here's what Disney got wrong with "Aladdin" and how it can avoid those pitfalls with "Hercules."
