"Small Talk": An Incluvie Film Festival Review
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.

Osher, Michelle and Eitan were evicted from their homes as children and transferred to foster care. These are supportive and stable families, but with a specified expiration date - when the boy / girl turns 18. The biological families are in a state of dysfunction and are absent. The film accompanies the three towards the end of the last year as part of the foster care and the first year of independence. The personal relationship that develops between them provides them with a supportive, stable and shaky framework at the same time, similar to that between the drowning person and the straw. Without the protective patronage of the foster care framework that has loosened or expired completely, they are exposed and swayed to the wind when past traumas burned into their minds may erupt and crush at once what has been built, or seemed to have been built, with much toil and torment.
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.
The latest MonsterVerse film delivers everything it promised.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
When most of us think about diversity in film, we usually think about three things: race, gender, and disabilities. However, there is a forgotten topic... age. These are 12 of the best films about growing old.
It’s been awhile since I’ve seen a film that is jarring within the first five minutes. Being at the edge of my seat from the very beginning made me feel both excited and frightened for what was to come, and it did not disappoint. Led strongly by Jennifer Lawrence as Grace, a woman trapped in the “American dream”, this film shows that society tells us what should make us happy. Many critics describe Die My Love as being about post-partem depression, but it is so much more. After moving to a secluded home with her husband Jackson, Grace finds herself in the throes of motherhood. Feeling isolated in her physical environment and her romantic relationship, Grace suffers psychologically. Lawrence brings a sense of rawness and humor to the screen that is often uncomfortable. Robert Pattinson adds to the discomfort as her loving, yet lost husband Jackson, who cares about his wife but does not know how to help her. Lynne Ramsay has presented a film that forces us to look at the realness of life, and what happens when the promise of what should make you whole fails.