“Host:” Quarantine Horror for the Online Generation
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.

Misaki, living a lonely life in Tokyo for college; decides to go back home to Fukushima for a month on her spring break. But by coming home without a notice, her mother would not welcome her nor let her in the house. She wanders around trying to find a friend to let her stay and fails miserably but ends up finding a small hotel called "Komorebi" looking for a short time live-in worker. There, she starts living with a kind and trustworthy woman, Kinuyo, and a hurt and depressed owner, Goro. A girl with a broken up family and a man with a dark past; their paths in life cross over as they start to change slowly...
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.
A complete ranking of every Godzilla movie, including shared universe films.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.