Rachel is the daughter of a wealthy media tycoon. Her husband dies in a car crash. Years later she meets Eric a photographer for New Woman magazine. They fall in love and quickly marry. On honeymoon in a remote cottage we discover that Eric's plan all along has been to get some of her father's money and sets in motion a faked kidnap of himself and Rachel. Rachel is unaware of his plan but begins to suspect something due to his suspicious behaviour. As her father hires a investigator to catch the kidnappers, Rachel begins to fear for her safety as Eric's plan becomes clearer.
It’s no wonder Peele won an academy Award for Best Original Screenplay. His script is layered with perspective and subtlety. Through a terrific vision, Peele creates the gift that keeps on giving. The clues and symbolic representations are aplenty, and as each viewing passes, you are destined to find something new. That’s a mark of great cinema.
'Don't Lose Your Head' follows the motto of "grades aren't everything."
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
