
A girl born with a birthmark struggles to get along with her estranged mother at home. As stains around the house are being cleaned, the two women are taken back to where it all began, trying to erase any traces of resentment.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.