Spider-Man: Across the Closet with Miles Morales and Gwen Stacy
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!

Based on the famous fairytale "The Tinderbox" by Hans Christian Andersen. The main character of the film is a puppeteer who lives in a poor and gray world. He composes a fairy tale in which he himself, in the guise of a brave soldier, finds a flint and is helped by a kind wizard. The soldier falls in love with a spoiled, capricious princess who, as befits a princess, poses riddles to her numerous suitors. Her father, the king, is eager to see the soldier as her husband, as he believes the soldier has a great deal of gold. In the fairy tale, everything ends well, but in real life, not so much. "But life is not a fairy tale," his beloved girl says to him as she bids him farewell.
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
Juno is extremely funny, very well-written, and contains great performances. The film is also about a very important topic, one that is extremely relevant now: women’s reproductive rights. Is this Oscar-winning film spreading a pro-life or pro-choice message to its audience?
An animated reboot based on the book of the same name, with differences from the live-action movie of the same name.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.