“Pressure” Puts on the Pressure
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.

From his childhood in a modest family in the Pyrénées to his unexpected career as a porn actor in the 1970s, the film traces the life of Claude Loir, who set out to fully embrace life. His homosexuality and curiosity guide him through encounters that lead into the shadowy, liberated circles of a pre-AIDS era, caught between conservatism and sexual freedom. Loves and lovers, flamboyance and fragility… the film offers a striking portrait of a fearless, hedonistic man navigating desire, identity, and society’s constraints.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
Presenting a bold and unapologetic narrative focused on strong Muslim female characters, the show beautifully incorporates punk rock as a feminist movement in their lives.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.