The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

At fourteen years of age, Tomás is entering adolescence, that time in your life in which not only do you have to face physical and emotional changes, but in which there are also memories that start taking more traumatic forms. That is why he continuously visits a psychiatrist, why he acts a bit weird. He is a bit of a hermit, bearing, as much as he can, the extreme normalcy of his family, who are dying for summer to arrive so they can go to a time share at the beach, while Tomás wants to escape… to the moon.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
The "Daredevil" renaissance is finally upon us! As we return to the Netflix show, let's take a look at the ways the show gets blindness right and wrong.
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.