A Refusal to Comply: The Films of Lynne Ramsay
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.

Montreal, 1888. Stephanie is a young girl with a gift for the sciences. But despite her aptitudes and intelligence, she is unable to make a place for herself in the misogynous and phallocratic world of a university. She nevertheless helps her mentor, Professor Beaumont, to develop a prototype time machine. Unfortunately, the demonstration in the university laboratories proves disastrous. Rector Fenwick fires Professor Beaumont, which further humiliates Stephanie. However, she does manage to resolve the issues with the prototype in a second time machine built at Beaumont’s home. With the Rector and the members of his Committee coming to witness a final demonstration, Stephanie will, in her own way, avenge herself from her detractors. A TIME OF MICE AND HUBRIS is Quebec's first steampunk film.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
As a frequent “the book was better” extoller, this movie was well worth the watch.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
An incredible documentary showcasing the difficulties of living in a crumbling Rust Belt city.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.