
Neglected by the world, the Western Sahara's fight for independence is one of the longest in recent history. The documentary tells the history of resistence of the saharawi people, who have been waiting for a referendum on self-determination for 26 years, and explores their insatisfaction with the UN's peacekeeping missions in refugee camps, liberated zones and occupied territories by Morocco for over 40 years. The documentary also questions Brazil's neutrality on the matter, one of the few countries in Latin America that still haven't recognized the independence of Western Sahara, contributing to the normalization of sistematic violence against the saharawis and the illegal extraction of their natural resources.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
When it comes down to it, The English explores what happens when power is unchecked and how those who seem powerless, have more strength than most through their convictions for justice.
“Reboot” is crass and sometimes incoherent, and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
Scene-stealer Melina Kotselou brings infectious queer joy and non-binary representation to the third installment of Nia Vardalos' 'My Big Fat Greek Wedding' franchise.