Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

A Swingin' Trio poster

A Swingin' Trio (2011)

Homer Garcon is an unpublished and frustrated science fiction writer living off the success of his wife, Trude Garcon-Moore, a busy Hollywood producer. As a result, he finds himself "trapped" in lavish surroundings - his luxury jail - and with publisher rejection letters piling high, Homer has convinced himself of his wife's infidelity. Phillips' darkly-comic script follows Homer as he dives into the prickly territories of self-awareness and self pity, in his quest to find the truth about his possibly cheating wife--and himself--all at a Valentine's Day dinner decidedly set for three. A largely dialogue-driven film, A Swingin' Trio is about four things: love, music, betrayal, and one really good dinner.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Homer Garcon is an unpublished and frustrated science fiction writer living off the success of his wife, Trude Garcon-Moore, a busy Hollywood producer. As a result, he finds himself "trapped" in lavish surroundings - his luxury jail - and with publisher rejection letters piling high, Homer has convinced himself of his wife's infidelity. Phillips' darkly-comic script follows Homer as he dives into the prickly territories of self-awareness and self pity, in his quest to find the truth about his possibly cheating wife--and himself--all at a Valentine's Day dinner decidedly set for three. A largely dialogue-driven film, A Swingin' Trio is about four things: love, music, betrayal, and one really good dinner.

Rating:
Genre:Drama
Directed By:Kelvin Z. Phillips
Written By:Kelvin Z. Phillips
In Theaters:10/21/2011
Box Office:

Runtime:80 minutes
Studio:Bridging Stories

Articles You May Like


'The Half of it' Handles its Presented Social Issues Thoughtfully

The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.

Andrea Amoroso