'Hawkeye' Episodes 1 & 2 Review: A Slow but Promising Start
The latest in the lineup of Disney+ Marvel shows, Hawkeye is shaping up to be a fun Christmas-themed Avenger show that’s also really down to earth.

It is the run-up to the 2008 Beijing Olympics but in one small town in southern China ZHANG Dachuan, a veteran of the 1950s Korean war, is either lost in memories or picking up after his son’s family since they are too busy with work to pay much attention to their home and even their own son Xiaosong, a westernised kid who is entering his difficult teen years. When Dachaun is invited to attend the funeral of an old comrade-in-arms, he secretly decides to journey to Beijing. And Xiaosong invites himself on the trip to avoid studying… And so starts a memorable experience for an old man and his grandson who hit the road and experience a clash of generations and values in various laughter-filled misadventures where one prefers old-fashioned values and the other modern conveniences. As our two travelling companions enjoy the beauty of the landscape they learn lessons in filial piety and loyalty that will bring them together.
The latest in the lineup of Disney+ Marvel shows, Hawkeye is shaping up to be a fun Christmas-themed Avenger show that’s also really down to earth.
There is a lot of controversy around Q-force. It’s certainly not hard to see why—the series is quite hyperbolic. I will say, that was the first aspect I noticed on my initial watch. Right from the get-go Q-Force barrages you with gay joke after gay joke. This is hit or miss throughout the series.
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.