Inuit Girls Hunt Alien Monsters in ‘Slash/Back’
Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.

ER doc Jessica loves her job, but not the hours. Meeting Trevor, a dashing surgeon, when they arrive in Fiji, Jessica also strikes up a friendship with Will, the charming co-owner of their resort. As Jessica notices how Trevor is a workaholic, she also sees that Will offers her tranquility, and she starts to wonder if this island paradise can give her the happiness – and love – she once knew.
Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
The message to take away from 'Causeway' is that toxic masculinity can manifest in anyone, no matter what their gender identity is.