A Spot of Light 

The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.

Richard speaks with Dia Frampton about some of her experiences with acting and music.

Friendships are tested when two girls have a crush on the popular boy at school.

I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.

An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.

Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.