Incluvie Classics: Strong Women and Gender Expression in Alfred Hitchcock's “Psycho.”
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.

Ken directs his graduation film "Koko ni Iru Dake" with his colleagues. The movie will be his last film as a student. While shooting the movie, Ken has conflicts with lead actress Risa. On the last day of their filming, their final scene is delayed due to rain. The day before filming resumes, Risa dies in an accident. One year later, Ken's graduation film sits unfinished. Then, Kenspots a woman who looks identical to Risa who turns out to be her twin sister Yoko. Ken then decides to shoot the final scene with Yoko in place of Risa, but, once again, things don't go according to plan.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
An adventure that centers on freedom and captures viewers' hearts.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
The 2019 film, Vai, takes us through eight stories across the islands of Oceania. The settings are unbelievably beautiful, the cast is beautiful, the languages are beautiful, and the stories are beautiful…but heartbreaking.
Fiction doesn't have to be the model for how our real-life pandemic plays out. Here's how we can avoid the dangers shown in "Contagion."