
A woman arrives in Paris with her little girl to look for work. With limited funds and no luck, they end up penniless, homeless and dependent on the rare kindness of strangers.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
This Transgender Day of Remembrance, let us take a look at six films about transgender children grappling with their identity in a heteronormative world that despises their kind and tries its best to invalidate their feelings.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.