Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
A Samurai’s Lie: Beloved Wife poster

A Samurai’s Lie: Beloved Wife 

Isozoemon (Go Kato) was a ronin (masterless samurai) and broke, who lived in a Choya (cheap apartment) in Okazakijoka town with his sick wife, Sugie (Ai Kanzaki). He was also a good swordsman who had taught swordsmanship in Akita a long time ago. He takes such good care of his wife that he is called a wife-loving man. He got involved in a conflict for succession because he pretended to become an officer to please her wife.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Isozoemon (Go Kato) was a ronin (masterless samurai) and broke, who lived in a Choya (cheap apartment) in Okazakijoka town with his sick wife, Sugie (Ai Kanzaki). He was also a good swordsman who had taught swordsmanship in Akita a long time ago. He takes such good care of his wife that he is called a wife-loving man. He got involved in a conflict for succession because he pretended to become an officer to please her wife.

Rating:
Genre:Drama
Directed By:Masahiro Takase
Written By:Takeo Kunihiro
In Theaters:
Box Office:

Runtime:91 minutes
Studio:Fuji Television Network

Articles You May Like


Short Film Review “With Arms Raised” A car ride, conversation, what we’ve experienced, personal judgements, and what we resort to is explored with both enigmatic then striking impact

“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.

Kirk Fernwood