A man is a chief of accounting who does business honestly, never cheating anyone in his 10 years at the company. But his boss is a completely different man. Regarding him as an obstacle keeping him from stealing the company's money, the boss lays a trap to get him fired. The boss' plot is successful. Now jobless, he and his family suffer a lot. But not long after, the president of the company finds out what's been going on. He comes to see him to apologize and lets him know that he is not only reinstated but also promoted.
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.
Billy Eichner provides a hearty dose of good old fashioned romance with a lot of laughs
