“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

A Resolute Woman // A Mother // Buffalos Gift // A Lonely Fat Man/ Lost Box // Seven Ribs // Waiting for Her to Come // The Power of Being // Calls from the Intellectuals // Brothers // The Only Pine
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
There's no hiding the horrors of war in this inspiring story of survival
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.