"Get Out"
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.

One sad day in the life of a pug and a wolf.
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
I was able to sit down and talk with up and coming producer and director Ryan Polomski who talked about his latest project Raymond Lewis: LA Legend. It's a documentary about basketball star Raymond Lewis and here is what I found out.
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.