“Subject to IX” Movie Review: Discussing the Hard Truth About How Colleges Handle Title IX Cases.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.

Ligia Lewis filmed A Plot, A scandal in the historic quarters of Rimini, Italy, a site the artist sees as upholding “Eurocentric ideals of (white) Man’s dominion over the land.” One recurring aspect of the landscape, the towering cypress trees in ordered rows, stands as an example. The film opens with the sonic resonance of the church bell portrayed later as a towering monument, pointing to Christian ideals that served as both a precursor to the Enlightenment and bedfellow in maintaining this hierarchical order. Weaving together multiple historical epics with political and mythical narratives, the work uses ideas of spectacle and scandal to address the continued dispossession of “Europe’s Others,” as Lewis describes them. [Overview courtesy of The Whitney Museum]
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
A dark film in the tradition The Brother’s Grimm.