"Opus" Is Fun But Doesn't Know Its Own Motivation
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
A Plea
Kamona is a Bengali drama film directed by Nabendu Sundar. This movie was released on 4 March 1949 under the banner of Kirti Pictures. This is the second film of Bengali actor Uttam Kumar after Drishtidan and his debut as the leading person crediting him as Uttam Chatterjee instead of Arun Kumar Chatterjee.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Kamona is a Bengali drama film directed by Nabendu Sundar. This movie was released on 4 March 1949 under the banner of Kirti Pictures. This is the second film of Bengali actor Uttam Kumar after Drishtidan and his debut as the leading person crediting him as Uttam Chatterjee instead of Arun Kumar Chatterjee.
Rating:
Genre:Drama
Written By:Nabendu Sundar
In Theaters:
Box Office:
Runtime:
Studio:Kirti Pictures
Articles You May Like
"20/20’s: Sole Survivor” is the Imperfectest True Crime Show to Fall Asleep To
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
Hustlers Should’ve Hustled More!
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
Netflix’s ‘The Old Guard’ is an Entertaining Flick
"The Old Guard" doesn't break ground, but it sure does bust boredom and fictional heads as an entertaining action romp on Netflix.
Is Blood Thicker Than Water? 'Moonlight,' Father Figures, and Their Representation
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
“Omaha”: Innocence Broken by Economic Injustice
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.