'Young Royals' Review
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.

A goat battles his decision paralysis, anxiety, and internal critics in an attempt to make the most of the one hour he has to get ready in the morning.
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.