'The Polar Express' (2004)
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.

Emily and Sebastian travel to his hometown of Paris to land the Ad account of famed Durand Diamonds and end up in a tricky situation when the client mistakes them for a happy couple.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
The external threat invaded the domestic environment at the most valuable moment: grieving.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch