Garden of an Angry God: when the nightmare of guilt crawls out to the daily life
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.

Otane, the daughter of a thread shop owner in Ryogoku, is in love with Sumio, the son of an ivory craftsman who lives nearby. The two are united in a tatami room on the second floor of a soba restaurant. Soon Sumio goes to study in Paris, but during that time Otane realizes that she is pregnant with Sumio's child. Considered a lost film.
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.
When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.
The July episode of Incluvie Movie Highlights provides 4 exciting films that have polarizing reviews! Special guest and Incluvie movie critic Daleyna joins in to discuss Mr Malcolm's List, a regency-era film set in England, starring leads of Indian and African heritage (Freida Pinto and Sope Dirisu), which is a first! Don't Make Me Go, starring an Asian and Blasian lead (John Cho and Mia Isaac), is a sincere film with a controversial ending! Don't worry, no spoilers. 1Up, about a team of female gamers led by Paris Berelc, who's half Asian, receives acclaim on Incluvie, but much hate everywhere else on the internet. And the feature film... is Nope ! One cohost thinks the film was imaginative, while the other cohost insists it was boring (but with good social commentary)! Who thought what? Tune in with your hosts: Cathy Yee and Hazel Bolivar!
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.