"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

British TV-special with Barry Humphries, AKA Dame Edna
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.