"Mercy" is a Pro-AI Sci-Fi Thriller that Barely Makes Sense
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.

A pair of men are picking and repeatedly enter houses here and there to steal. One day, while ransacking the house they have been picking, they find the girl who lives in the house collapsed in the bathroom. She is a college student who has been hurt by a love like a game that is about to end. When she gets up and sees the two thieves, she says, "You came to save me, didn't you? Will you stay with me forever?" For some reason, she interprets this favorably and trusts them. From that point on, a strange interaction between the three begins.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
In this coming-of-age movie centered around senior prom, Mandy is anxious about her acceptance into Harvard while she realizes she's missing other opportunities.
This captivating film can only be truly appreciated by seeing it firsthand. There are not enough words to describe the terrible beauty one experiences while watching it.
Even if Drive My Car (2021) doesn't win Best Picture, it exudes a palpable sense of dreariness and lifelessness that is further embodied by Yusuke, portrayed tragically by Hidetoshi Nishijima. Check out movie reviews & summary!
Darren Arronofsky focuses on diverse and heartbreaking stories about the human experience.