Julie is a new mom and children's book author, who escapes into the bright Crayola-colored world of her creation in order to leave behind the darkness caused by her post-partum depression.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
In honor of AANHPI Month, let's celebrate Filipina-American pop star Olivia Rodrigo and her love of horror movies.
Sing 2 the beat in this jukebox sequel featuring anthropomorphic animals with musical talent.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
